Didier Maghe has spent this last years breaking out from the norms and creating a name for
himself that is like no other. He has developed from a first class painter into a first
class interpreter of his own emotions full of suffering and internal anxiety.
Enter the Maghians (La plančte Maghe) is full of torment. The Maghians
creator, intense and vital, reaches extremes with his particularly mutated expressionism.
Maghe explores an intimacy that shatters all notions of limitation, and exposes his
subjects, completely, to an all-encompassing scrutiny. The Maghianspain and
complacent suffering emerge from the ultimate shock the
face-to-face of the Earth-bound expressionist with the existence of his
fantasist models an existence that can only be described as one lived in a
Nudes heavy with the weight of their own flesh and flaccid of its
satiety in golden yellow and orange shades, hieratic Eves with generous thighs like
tawnygoddesses of fertility, Maghians governed by the attribute they wear proudly erect
above their pear-shaped heads in vivid colours, with crazed eyes.